Lowest price guaranteed. 30 days hassle-free exchange. Free shipping on all orders. Don’t miss out!
Focusrite Red 16Line 64x64 I/O Thunderbolt 3 Audio Interface
  • Focusrite Red 16Line Thunderbolt 3 Audio Interface - 64x64 I/O
  • Focusrite Red 16Line Thunderbolt 3 Audio Interface - 64x64 I/O

Focusrite Red 16Line 64x64 I/O Thunderbolt 3 Audio Interface

$3,999.99  $50.00
Save: 99% off

Availability : In stock

Fast ShippingFast Shipping

Free ReturnFree Return*

Secure PackagingSecure Packaging

100% original products100% Original Products

Product Detail

Focusrite Red 16Line Thunderbolt 3 Audio Interface - 64x64 I/O

The Red 16Line is an amazing 64-in/64-out audio interface that offers seamless connectivity to Pro Tools | HD, Thunderbolt computers, and Dante simultaneously, without the need for option cards. It's a dream come true for audio professionals!

• High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted) ensures top-notch sound quality.
• Ultra-low round trip latency allows you to track through plug-ins and record virtual instruments in real time, revolutionizing your workflow.
• 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs, provide all the connectivity you need.

With two digitally-controlled Red Evolution mic preamps that offer up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter, phase reverse, and the amazing Air mode, your recordings will have the clarity of a classic transformer-based ISA. And with a dual-port Dante card, you can expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.

Features:

  • Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards
  • High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)
  • Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time
  • 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs
  • Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, innavidual phantom power, high-pass filter and phase reverse
  • Air mode on the preamps, giving recordings the clarity of a transformer-based ISA
  • Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products
  • Dual-port Dante card for more channels at higher sample rates
  • Three LCD displays for highly accurate level metering
  • Two discrete high-fidelity headphone outputs
  • Connect multiple digital sources using word clock I/O and loop-sync I/O
  • Two instrument inputs on the front panel
  • AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins

Specifications:

  • Simultaneous inputs & outputs:
    • Channel Count: Up to 64 x 64
    • Line Level Channel Count: 16 In and 16 Out
    • Line Level Input: 2 x DB-25 connectors (AES59)
    • Line Level Output: 2 x DB-25 connectors (AES59)
    • Thunderbolt Channel Count: Up to 64 In and 64 Out
    • Thunderbolt Ports: 2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)
    • Pro Tools Channel Count: Up to 64 In and 64 Out (32 In and 32 Out per connection)
    • Primary Port: 2 x Mini DigiLink
    • Dante Channel Count: Up to 32 In and 32 Out
    • Dante Input And Output: 2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above)
  • Microphone inputs:
    • Gain Range: 0-8dB to 63dB in 1dB steps
    • Type: Electronically Balanced, Zin = 20kΩ
    • Max. Input Level: >+19dBu, min gain
    • Frequency Response: 20Hz - 35kHz ±0.2dB
    • THD + N: -102dB (0.0008%) @ -1dBFS
    • EIN: <-129dBu 'A'-Weighted (typical)
    • Signal-To-Noise Ratio: 119dB 'A'-Weighted (typical)
    • Common-Mode Rejection Ratio: 50/60Hz CMRR: -70dB
    • Phantom Power: +48V, independently switchable per channel
    • HPF: -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
    • Air Mode: 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO
    • Mic Inputs Channel Count: 2 In
    • Mic Input: 2 x Female XLR
    • Line inputs 1-16:
      • 0 DBFS Reference Level: +18 or +24dBu (switchable)
      • Type: Electronically Balanced, Zin = 20kO
      • Frequency Response: 20Hz - 35kHz ±0.2dB
      • THD + N: -102dB (0.0008%) @ -1dBFS
      • Signal-To-Noise Ratio: 119dB 'A'-Weighted (typical)
      • Common-Mode Rejection Ratio: 50/60Hz CMRR: -70dB
    • Instrument inputs:
      • Gain Range: 0-8dB to 63dB in 1dB steps
      • Type: Zin = 2.3MO
      • Max. Input Level: >+15dBu, min gain
      • Frequency Response: 20Hz - 35kHz ±0.2dB, min gain
      • THD + N: -100dB (0.001%) @ -1dBFS (@ 11dB Gain)
      • Signal-To-Noise Ratio: 117dB 'A'-Weighted (typical), min gain
      • HPF: -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
      • Air Mode: 2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)
      • Instrument Inputs Channel Count: 2 Channels In
      • Instrument Inputs: 2 x 1/4' TS stereo jack
      • Line outputs 1-16:
        • 0 DBFS Reference Levels: +18 or +24dBu (switchable)
        • Frequency Response: 20Hz - 35kHz ±0.2dB
        • THD + N: <-104dB (0.0006%) unweighted, 20Hz - 20kHz; -1dBFS input
        • Dynamic Range: 121dB 'A'-weighted (typical), 20Hz - 20kHz
        • Output Impedance: Nominal output impedance = 136O balanced (68O each phase)
      • Monitor outputs:
        • 0 DBFS Reference Levels: +18dBu
        • Frequency Response: 20Hz - 35kHz ±0.2dB
        • THD+N: -80dB (0.01%) unweighted, 20Hz - 20kHz; -1dBFS input
        • Dynamic Range: 120dB (A-Weighted)
        • Output Impedance: Nominal output impedance = 136O balanced (68O each phase)
        • Monitor Outputs Channel Count: 2 Out
        • Monitor Outputs: 2 x 1/4' TRS stereo jack
      • Headphone outputs:
        • 0 DBFS Reference Levels: +16dBm ± 0.5dB
        • Frequency Response: 20Hz - 20kHz ±0.2dB
        • THD + N: <-75dB (0.018%) unweighted, 20Hz - 20kHz
        • Dynamic Range: 114dB 'A'-weighted (typical), 20Hz - 20kHz
        • Output Impedance: 10O
        • Headphone Impedance: 32O - 600O
        • Headphone Outputs Channel Count: 2 Stereo Channels Out
        • Headphone Outputs: 2 x 1/4' TRS stereo jack
      • Digital performance:
        • Supported Sample Rates: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit
        • Clock Sources: Internal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master
      • ADAT:
        • Channel Count: Up to 16 In and 16 Out
        • Input: 2 x TOSLINK connector
        • Output: 2 x TOSLINK connector
        • Channel Assignments @ 44.1 KHz, 48 KHz: Port 1 = Channels 1 - 8 , Port 2 = Channels 9 - 16
        • Channel Assignments @ 88.2 KHz, 96 KHz: SMUXI: Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8
        • Channel Assignments @ 176.4 KHz, 192 KHz: SMUXII: Port 1 = Channels 1 - 2 , Port 2 = Channels 3 - 4
      • S/PDIF:
        • Channel Count: 2 In and 2 Out (Optical up to 96kHz)
        • Input: 1 x RCA phono socket (1 x TOSLINK up to 96kHz)
        • Output: 1 x RCA phono socket (1 x TOSLINK up to 96kHz)

      The Focusrite Red 16Line Thunderbolt 3 Audio Interface is designed for audio professionals. Whether you're in a professional recording studio or a home setup, this interface is perfect for you. It allows you to connect to Pro Tools | HD, Thunderbolt computers, and Dante simultaneously without option cards. With its high-performance audio conversion, ultra-low round trip latency, and 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs, it provides all the connectivity you need. The interface also features two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter, phase reverse, and the amazing Air mode, giving your recordings the clarity of a classic transformer-based ISA. And with a dual-port Dante card, you can expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.


      Opening Hours
      From Monday to Sunday, from 9 to 19 o'clock every day. (Except holidays)
      Free Shipping
      Free shipping on all orders.
      Return & Exchange
      We accept returns and exchanges to provide you with a safe and comfortable shopping experience.
      Copyright (C) besthpsm.com 2025 All Rights Reserved.